Yannis Papayannis – United Again (1/3) [From a series after the book The Greeks and Greek Love, by James Davidson]

Description

Artist/Maker: Yannis Papayannis (b. 1962)

Object/Materials and Techniques: Acrylic on Paper

Date: Painted in 2010

Dimensions: H. 40 cm. x W. 50 cm.

Art style: Abstract Art / Pop Surrealism / Lowbrow Art

Current Location: Artist’s collection

Curator’s note: |’n Art| presents three paintings from a series of works Yannis Papayannis felt like creating upon his reading engagement with the book, The Greeks and Greek Love, by James Davidson. The book deals with the complex world of love and homosexuality in Ancient Hellas from where the artist selected some intriguing stories to illustrate giving onto his works a sort of comics effect based on underground aesthetics.

In this artfully executed series, comics, hot rod culture and underground cartoonists seem to have supplied such inspiration to the artist that he attempted to display narratives of mythology and classical antiquity in a distinctly ostentatious and tawdry manner. By means of a near-esoteric devotion to the act of making, along with a spirit of experimentation, he came down to develop his work within an exceptionally polished imagery acted upon comics characters and setting, as how one could describe Lowbrow art, also known as Pop Surrealism.

Towards that end, cartoon-tainted portray and motifs, in their simplicity, suggest a strong thought-provoking allegory as they enliven ancient myths and stories or further spotlight the alluring of a mythological scenery that ends up in transcending this particular series of artworks to become universal and timeless.

The oeuvre United Again from the series constitutes a tribute to Eros, the Ancient Hellenic god of sensual love and desire. Capitalizing on abstract imaginings of colour juxtapositions, both brighter and darker, the artist succeeds in drawing attention to the energy and dynamism of Ero-tic love, and the aroused strong restless desire.

Still, a different perspective of love is explored, the one of finding the alter ego, the alternate self which is believed to be separate from a human’s normal or true original personality. The portrayed character is violently divided into two desperate entities that follow distinct perilous, obscure roads till they meet again, reunite and become one entity anew thanks to the winged Eros.

Yannis Papayannis, being used to foreground the seductively existence of his calm, at times, yet overall disquieting characters, in United Again places emphasis on the sentimental transitions that love may provoke to the leading figure, culminating to the happy ending after the utter coupling and junction.

In essence, through a unique mixing process, modern interpretations and ancient references are successfully merged with comics-inspired arrangements or icons of pop culture, poking fun while at the same time addressing diachronic existential matters. Within this framework, past comes up towards future in a ‘sui generis’ fantasy set where Yannis Papayannis’ gratifying surface carry such an expressive power that for anyone who desires to interact with it turns out to be, far and wide, a highly enjoyable experience.

Nelly Fili

Notation:

• James Davidson is a British classical scholar and history professor at the University of Warwick in England, and a regular contributor to the London Review of Books, among other journals. He specialises in social and cultural history and historiography of ancient Hellas, and has made significant contributions to the study of ancient homosexuality. He was educated at Columbia and Oxford University, where he received a DPhil. From 2001 to 2004 he was a member of the Council for the Society for the Promotion of Hellenic Studies, and from 2000 to 2010 a member of the Classical Association Journals Board. His book The Greeks and Greek Love: a Radical Reappraisal of Homosexuality in Ancient Greece was awarded three international prizes for history among which the Mark Lynton History Prize in 2010. He lives in London.

• Cartooning and plenty other forms of illustration, including comics, graffiti art, animation, along with technology-based tools and techniques, appear to further advance the thriving of a new type of art stream that could be defined as Lowbrow art or Pop Surrealism; a rather successful combination of two powerful stances in art, Pop Art and Surrealism. Finding its cultural traces back in the ‘mainstream’ Los Angeles of the late 1960s, in street art or onto the crude artworks of underground cartoonists, as displayed on the walls of alternative galleries in California and New York, nowadays, the new audacious creative art field with its unconventional character, is assuredly here to stay.

Bibliographic References:

1. James Davidson, The Greeks and Greek love: a Radical Reappraisal of Homosexuality in Ancient Greece, London: Weidenfeld & Nicolson, 2007, ISBN 9780297819974.
2. Ricardo Martinez, From Pop Surrealism to Lowbrow – Something Got Lost in Translation, London, England, Widewalls.ch., December 5, 2015. Archived from the original on December 11, 2015. Retrieved December 16, 2018.
3. Diana Ferguson, Greek Myths and Legends, Collins and Brown, New York, New York, 2000.
4. John Pinsent, Greek Mythology, Peter Bedrick Books, New York, New York, 1982.

Nelly Fili